Auto-ethnography is essentially focussing on the researcher and “his/her position and involvement in the field” (Ellis et al, 2011). Considering my first viewing of this film – and frankly any Japanese film – I felt withdrawn as so many said they had seen it. I had never been involvement in this ‘field’. I was struggling to find any commonalities between American cinema and Japanese cinema. On the day, I found a few blatantly obvious things.
After coming home and madly searching through Google and re-reading Ellis, I found that there were a lot of obvious but subliminal messages that Gojira was trying to tell us. Namely, nuclear weapons and World War II.
An epiphany! At last! Common to other auto ethnographers, I hear, made me begin to witness the film in a different light. It was not just a film with a scary monster destroying the city; the monster was meant…
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