Despite the exploration of the red string of fate, I was still drawn back to the materiality of the rope. To me, the materiality of the rope re-creates the use of it into something more. It is no longer just an exhibition about those whose personal experiences she does not understand, but a new story which has been infused with her time. I chose to look for images of people from around Asia weaving rope in order to understand the process further.
Raw Jute (before rope) – Bangladesh
Combing the tangles from the jute fibres before weaving into rope – India
Tying the rope fibres to a hook before weaving begins – India