Finding a celebrity in my current auto ethnographic focus of either Monster Hunter and social gaming was proving to be very difficult for me, largely because I speak no Asian languages (as far as I know). Seeing as I purposefully know very little about these areas (at the moment at least), I was totally unable to find a single person widely recognized in them whom I could discover anything about. In order to compensate for my inability to stick to definite topics, I have chosen to follow the light-hearted social media presence of my favourite man of gaming, Hideki Kamiya – because that’s close enough, right?
Hideki Kamiya is the resident cheeky man and games director at Platinum Games, renowned for titles such as Bayonetta, the Wonderful 101, Vanquish and Mad World. I find Hideki a great person to analyse for in my opinion, he has the best online presence of any game developer alive today. Upon searching I was unable to find official pages of his on Facebook and Instagram, rather his Twitter is the only means in which he promotes himself; and boy is it enough. Here I have compiled an archive of my favourite tweets from this beautiful man, which also further demonstrate my next point…
Having tweeted a whopping 119 thousand times, it is clear that Hideki uses Twitter for the purpose of interacting with and answering questions from his fans and customers, other than solely as a means of personal gain. This idea I feel is strengthened through the absence of these alternative social media, for they are not as accessible in terms of audience engagement as Twitter is.Through continual use of this site, Hideki has constructed the image of himself as light-hearted, playful and slightly bossy.
As much as I love this Twitter account, I can’t help but feel like at least a small portion of it is shaped by personal biases and assumptions – for instance that Hideki speaks fluent English (or rather he does not). While I have no doubt that I love this man, I often find myself wondering how much of this opinion is flavoured by his inability to articulate our language flawlessly – let alone while being forced to shrink his words to suit Twitter’s needs.