Author: Hayden Carlton

Take a Look at Yourself

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The first step in autoethnographic research is taking a look at yourself, and understanding that everything that has happened to you makes you who you are, and impacts how you see the world around you. The second step is accepting that you can’t do anything to change that.

I’m sure the majority of people that read this, (my fellow DIGC330 students) are probably a little tired of reading the definition of autoethnography given in the Ellis reading (for everyone else, click the link in my references, it presents a vastly superior explanation of what auto ethnography is), so instead I’ll give my best go at a definition. Autoethnography is an approach to the research of human cultures, in which the researcher immerses themselves in that culture, and uses self-reflection to explore their own personal experience, while linking that with other qualitative research.

My first experience with autoethnography was last year in another one of my classes, Research Practices in Media and Communication. It was love at first sight. It just made so much sense to me, as much as anyone tries to be perfectly unbiased and analytical in qualitative research, it is an impossible task as a human being. Knowing that, isn’t it better to be open in showing where your potential biases are, and more importantly challenge your own thinking.

As I was thinking about autoethnography this week, I remembered doing modern history in year 11, and my teacher consistently writing on my assignments, “You need to include blah.” (Obviously she didn’t actually say blah) I had assumed that I didn’t need to include certain information because I figured it was common knowledge. This was the first time I really thought about how people had different backgrounds, and how that impacts a person.

I’m super keen to conduct my own piece of autoethnographic research on Japanese stand-up. I absolutely love stand-up comedy. I probably watch at least three new specials a week. If I had to go on mastermind stand-up would be my specialist subject. In saying all of this though, the comedians I’ve watched are mostly from America, the UK, and Australia, so I’m curious to expand my horizons through my research on stand-up in Japan. How is it different to what I’ve already seen? What are the topics/themes? What style of comedy is predominant? How popular is it? These are all things I hope to figure out in my research.

References:

Ellis, C., Adams, T.E., and Bochner, A.P. (2011) ‘Autoethnography: An Overview’, Forum: Qualitative Social Research, 12:1.

ゴジラ

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This week I watched Ishirō Honda’s 1954 Godzilla. It was the first time I’d actually seen the film in its entirety, and I must admit I was a little disappointed with myself for not having watched it sooner. Anyway, here’s my reflection on Godzilla and the characteristics that make up the movie in the context of my cultural background.

Japanese:

I was first introduced to Japanese movies when I was probably about 10, when my Dad showed me My neighbour Totoro, and my love for Japanese film and television really took off from there. I’ve watched a lot of Japanese movies, I will admit that most of them where animated, but even then the amount of live action movies I’ve seen is still probably more than the average person. Battle Royal will continue to be one of my guilty pleasure movies for years to come. So when I was watching Godzilla I felt familiar with what I was seeing, from a cultural/social perspective.

Black and white/from the 50s:

As you’ll probably figure out reading this, I watch a lot of movies, so watching a movie in black and white wasn’t anything new to me. Some of my favourite movies (Seven Samurai, It’s a wonderful life, The Elephant man) are in black and white. My love of black and white movies probably stems from my Dad showing me a bunch of old horror movies, like The thing from another world, Invasion of the body snatchers, Nosferatu, etc. That’s part of the reason I was disappointed I hadn’t already seen it.

It is important to remember when Godzilla was made, 1954 is only nine years after the bombings of Hiroshima and Nagasaki, and for the people watching the film at that time the destruction that this monster created by nuclear test bombing it must have been horrific to see. It’s easy for me to see the link between the nuclear bomb and Godzilla, but I’m sure it had nowhere near the impact it would have had on the Japanese audience at the time.

Subtitles:

You can probably guess already that I was fine with the subtitles, along with the Japanese movies that I’ve seen, I also really like kung-fu movies from China and Korea, and many European movies, and with the amount of anime I watch (#subsoverdubs) I’m pretty sure I watch something with subtitles every week.

Kaiju movie:

We’ve finally gotten there, my favourite thing about Godzilla is it’s a Kaiju movie, and not only a Kaiju movie but one of the first. I’ve seen quite a few of the 90s Godzilla remakes as well as a bunch of other original franchises, my favourite being The Host (2003). Something I noticed though is that a lot of the Godzilla remakes tend to get into the destruction faster than the 1954 Godzilla, and have maybe a little less suspense. Also the relationship to Godzilla the monster has changed since 1954, in a lot of the movies now Godzilla is seen as the protector of Japan/Earth rather than just a monster.