Thinking of a way to turn my research of South Korean culture and Eat Your Kimchi into a Digital Artefact was proving to be quite difficult for me. I wanted to convey my identity as a fan and investigator of EYK, my fascination with South Korean culture, and my autoethnographic experience in a way that I myself could be interested in. My experience with the production and editing of videos, creation of code, and the production and compiling of music is quite limited, so those weren’t viable options for me. I also found it a little difficult to push my mind past the examples that we have seen so far, such as tumblr blogs, Sabato Visconti’s Glitch Artworks, playlists and collations of videos or pictures, or subreddits, as I didn’t feel that any of these fit what I wanted to convey.
It is clear to me that the Eat Your Kimchi fan community has been incredibly important in the success of the blog, as without their fans, Simon and Martina (the couple who make the content for EYK, along with business manager Soo Zee and intern Leigh) may have found it much more difficult to remain in South Korea beyond teaching. The fan community supported their transition to full-time YouTubers in 2 ways
- YouTube offered EYK a monetary partnership when their channel surged in popularity as their subscribers/fans grew substantially around 2010
- Simon and Martina had their IndieGogo campaign successfully funded by their fan community (a total of approx. $113 000), which allowed them to apply for a South Korean business licence and rent an apartment closer to the centre of Seoul (the capital of South Korea)
Looking at this wave of success that the EYK crew have been riding since they started blogging in 2008, it’s really obvious to me that there’s a lot of love, passion and curiosity coursing through the veins of the EYK fan community. When looking at the EYK community and how it is represented digitally over many different platforms (Tumblr, Facebook, Instagram, YouTube, Reddit and on their blog), I find it equally as worthwhile to mine through the comments sections as consuming original EYK. There so much to learn from these spaces. Not only do they provide added ethnographic context to EYK’s observations on South Korean culture and entertainment, but they also build upon the opinions and ideas offered in the videos. These forums are, to me, a comprehensive representation of the majesty and power of a fan community (already well-represented by their ability to keep EYK going through funding), reflecting the quality and insight of the EYK content.
In order to capture this ecology I have decided to design a blog in which I will reflect on my personal understanding and learning, following my observation of these spaces. I hope to design a Digital Artefact that provides a visual representation of my observations and interpretations, whether it be through a graphic, word visualisation or other performance medium, showcasing various comments, the original EYK content, and my derived autoethnographic experience.